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RECENT
EXHIBITIONS
2007
Solo Exhibition, Hallward Gallery, Merrion
Square, Dublin
Boyle Arts Festival
Exhibition, Boyle, Roscommon. Invited,
July
Wexford
Opera Festival.
Pigyard Gallery. Invited, June
Heal Exhibition,
Naughton Gallery, Queen’s Uni, Belfast Open select, June
Mill
Cove Gallery,
Castletownbere, Cork. Selected summer show, June
2006
Hallward Gallery, Merrion Square, Dublin. Group Show. Nov / Dec
Pigyard Gallery, Wexford Opera Festival. Group Show. Oct
Solo
Exhibition, Mill Cove Gallery, Kenmare, Co. Kerry; Sept 30-16 Oct
Dyehouse Gallery, Waterford.
Group Show July / Aug
Eigse Arts Festival; Utopias Fair:
Selected, June
RHA Open Exhibition, RHA Gallery, Ely Place.
Dublin. May-June
2005
Cross Gallery, Francis St., Dublin.
Group Show Nov/Dec
Dyehouse Gallery, Waterford.
Group Show Nov/Dec
Solo Exhibition, Mill Cove Gallery, Castletownbere. July-Aug
Solo Exhibition, Birr Arts Festival 12th-19th
August.
Eigse Open Exhibition, Carlow.
11th–19th June.
RHA Open Exhibition, RHA Gallery, Ely Place., Dublin. 17th
May-25th June.
Unplugged, Dunnamaise Arts Centre, Portlaoise.
Invited artists. February
AWARD
Miriam D Robinson received the Éigse award for the most
outstanding work at the Open Exhibition, Éigse Carlow Arts Festival in
June 2005.
EDUCATION
1993
- ‘97 B.A.
Fine Art Painting, 1st Class hons., University of Leeds, West
Yorks.
1990
- ‘92 Diploma
in Creative Arts Therapy, Regents College, London
1988
- ’89 Trained
as Aromatherapist, London
1981
- ’83 Diploma
in Catechetics, University College, Cork
1973
- ’76
Qualified as Froebel teacher, Sion Hill, Blackrock,
Co. Dublin
NEW
WORK
A
“Golden Thread” presents a new series of paintings by Miriam
Robinson. These abstract
works on paper and canvas reflect aspects of a spiritual exploration –
a type of emotional and intuitive mapping within the mythical world of
painting. Meta-physical
narratives build up while expressive layers of paint tease out the core
relationship between form and space through shifting lines, boundaries
and surfaces.
“Space
is often felt below the surface of a painting.
We sense vibrations, we feel an openness, really an
incompleteness, as in the way the world works.
Outside the limits of our perceptions nothing in the world is in
fact complete, separate or static - nothing is ever finished or fixed -
rather every form is incomplete, fluid, connected.
It is all open.
I
paint, to open up, to find that space within and beyond the dimensions
of form ........”
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